What does it mean, when one says "I adore Art Deco brooches?" Most people would probably address this passion in the 1930s. Others would rather refer to the geometric shapes. And all of them would be right but in different ways. The classic
era of Art Deco started in the early '20s and governed design for some 30 years (although, still giving enough space to Art Nouveau and late Edwardian styles, when their eras were over) including the war period.
It faded in the Retro era in the '50s, suppressed (almost literally) by the weight of bold costume jewellery of the
period, its huge stones, and bright colours. And when the '60s put the question about what could be a new serious decorative dominant of the decade, the Art Deco style returned, therefore many examples of the '60s (and early '70s) jewellery might be identified as an Art Deco style.
Some of them (like Rene Gouin or Pierre Bex) have an incredible signature
style, inspired by the original
era.
During the same years, many other styles were revived, and near the geometric shapes, you may easily find some exceptional Victorian-inspired objects.
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So, when we speak about
eras and
styles, we must, first of all, understand what we are looking for. One seeks an original
era (or period) with its styles (and their crossings), materials, techniques, sizes, and problems too!
Another one would look for an aesthetic, perhaps, with more progressive execution, and new approaches in colours and materials. This is a question of style, and styles tend to return and be revived.
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In Chioschetto, I explore, study, and often restore the costume jewellery from the Victorian Grand Period (1860-1885) and all the way throughout the century to the lost decade of revivals on the way to Modernist Jewellery in the 1960s.